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Category: Classic Rock

Jerry Goldsmith - U. S. Marshals (CD)


Download Jerry Goldsmith - U. S. Marshals (CD)
1998
Label: Varèse Sarabande - VSD-5914 • Format: CD • Country: Germany • Genre: Stage & Screen • Style: Score


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8 Comments

Categories: Classic Rock

8 Replies to “ Jerry Goldsmith - U. S. Marshals (CD) ”

  1. Jan 17,  · View credits, reviews, tracks and shop for the CD release of U.S. Marshals (Original Motion Picture Soundtrack) on Discogs.
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  3. U.S. Marshals: (Jerry Goldsmith) After the critical and popular success of The Fugitive several years earlier, it was disappointing but not surprising that producer Arnold Kopelson would yank the fiscal chain for a watered down sequel. Returning for U.S. Marshals in was U.S. Marshal Sam Girard, with Tommy Lee Jones reprising the role that won him an Academy Award for the original.
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  4. I was so pleased that editor-turned-director Stuart Baird found a collaborator in composer Jerry Goldsmith. However, unlike "Executive Decision", which contains a fantastic main theme to listen and sing to, "U.S Marshals" does not have any; only a five-note leitmotif is heard throughout this thirty-minute CD.
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  5. Mar 27,  · U.S. Marshals - The Deluxe Edition soundtrack from , composed by Jerry Goldsmith. Released by Varese Sarabande Club in containing music from U.S. Marshals (). U.S. Marshals - The Deluxe Edition Soundtrack ().
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  6. The Deluxe Edition, Format: CD, Year: , Label: Varèse Sarabande CD Club (VCL ), Barcode: , Length:
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  7. The album was remastered by Bruce Botnick, Jerry Goldsmith's recording engineer for the original scoring sessions, from the original sources. Militaristic snare drums, hammering percussion and French horns along with synth percussion puts, staccato use of the piano and keyboard percussion, define Jerry Goldsmith’s score to Stuart Baird’s action thriller U.S. Marshals/5(3).
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  8. Apr 10,  · What’s different about U.S. Marshals is that he uses it as the score’s main theme rather than as a secondary action device. Jerry Goldsmith It’s heard right at the start of the score in “The Set Down” before being expanded upon a little in “Nuggets and Bullets”.
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